Reviews
“Hart plays Marchmont the way you hope an editor would: as an advocate who has stopped needing to advocate, because the music is simply there, and simply very good.” ★★★★★
— The Long Interval, Miriam Voss (on The Violin Sonatas)
“The Elgar had the concentrated quiet of late-night talk, and the Marchmont sonata beside it sounded not rediscovered but resident.”
— The Westmorland Gazette (recital with Deniz Aral, Kendal)
“Blue Hour is that rare solo record that treats the listener as company rather than audience.” ★★★★
— Gramophone Notes (on Blue Hour)
“A violinist who programmes like an essayist and plays like the light going.”
— The Recital Diary